Arts and Humanities, Visual Arts and Performing Arts, Literature and Literary Theory
44
Scopus Publications
347
Scholar Citations
11
Scholar h-index
13
Scholar i10-index
Scopus Publications
Stories of Disaster as Sites of Mitigation: Knowledge Production and Affective Engagement in the Narrativization of Nuclear Incidents in Different Media Martin Butler, Sina Farzin, Michael Fuchs, Anna-Katharina Hornidge, Uwe Schimank Minerva, 2026 This article explores how nuclear disaster narratives have both been informed by and articulated collective images of risk and uncertainty since the 1980s. Drawing on ideas from classical and affective narratology that are framed by a perspective informed by the sociology of knowledge, we examine three variations of narrating nuclear disasters in different media: (1) sociologist Charles Perrow’s detailed analysis of the Three Mile Island accident in his popular science book Normal Accidents (1984), (2) Svetlana Alexievich’s Chernobyl Prayer (1997), a literary/journalistic account of the Chernobyl disaster that chronicles individuals’ experiences through eyewitness accounts, and (3) the television series Chernobyl (2019), which, in a docufictional style, combines what is staged as an objective reconstruction of the unfolding of the disaster with subjective memories of those affected while reflecting on the incident’s larger political, scientific, and environmental contexts. We suggest that these three stories of nuclear incidents not only produce specific knowledges about the disaster in question but also address the fragility of knowledge systems and social structures as well as assessments of agency. As such, these narratives function as sites of mitigation that offer their readers/viewers certainty in times of crisis.
Atlantic overflows: Bull sharks, inland incursions, and fictions of containment Michael Fuchs Atlantic Studies Global Currents, 2026 This study examines how contemporary representations of bull sharks reflect cultural anxieties about the permeability of environmental boundaries. Focusing on three popular media texts – Joseph Monninger’s middle-grade fiction Dragged from Under: The Bull Shark (2020), the made-for-television horror film Red Water (2003), and the videogame Maneater (2020) – the article argues that the bull shark functions as a symbolic agent of disruption, unsettling distinctions between land and sea, safety and danger, human and nonhuman domains. These texts use the bull shark’s ability to navigate both salt- and freshwater terrains to dramatize the consequences of extraction, pollution, and infrastructural collapse. While differing in tone, medium, genre, and target audience, they collectively frame the Atlantic as a volatile system overflowing its bounds, deploying the inland shark as a symbol for environmental reckoning in an era of climate crisis and species displacement.
Monstrous Reproduction, Monstrous Evolution, and Extinction Anxiety in Steve Alten’s MEG Books Michael Fuchs, Michael Phillips Critique Studies in Contemporary Fiction, 2026 This article examines Steve Alten’s MEG series (1997–) as a gothic narrative of survival that transforms the prehistoric-survivor fantasy into an allegory of male vanishing. Drawing on the intertwined genealogies of cryptozoology, colonial exploration, and popular science, the series frames the reemergence of Otodus megalodon from the Mariana Trench as a refusal to extinction. The MEG books deploy parthenogenetic reproduction and maternal cannibalism to translate evolutionary speculation into reproductive horror, rendering the male body obsolete. The novels’ descriptions of monstrous births and albino skins reveal how extinction anxiety doubles as white male-dependent procreation anxiety in the Anthropocene. Reframing the prehistoric shark as both an evolutionary relic and a spectral self-portrait of humanity, the series turns survival into a gothic condition: a recursive, gendered haunting in which the human endures only as the ghost of its own dominion.
@Night@Home: YouTubifying Late-Night Television during the Early Stages of the Covid-19 Pandemic Martin Butler, Michael Fuchs Covid 19 in Film and Television Watching the Pandemic, 2024 Soon after the first lockdowns, which suspended audience participation in television shows through rules and regulations of social distancing, late-night formats such as The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live left their traditional studio framework and were broadcast from their hosts’ homes. In an amalgamation of house touring, the presentation of DIY activities, ‘life hack’ episodes featuring the hosts’ families, bits and pieces of stand-up comedy, and political commentary in front of decidedly self-made home-studio interiors, late-night television reacted to the pandemic by YouTubifying its established setup, structure, and content.
Introduction to the Special Section: "Beyond Petromodernity" Francis Gene-Rowe, Michael Fuchs, Stefan Rabitsch Extrapolation, 2023 Publikationen von Forschenden. Fuchs, Michael; Gene-Rowe, Francis; Rabitsch, Stefan: Introduction to the special section: "Beyond Petromodernity". In: Extrapolation. Liverpool : Liverpool University Press, 2023
Introduction Fantastic Cities American Urban Spaces in Science Fiction Fantasy and Horror, 2022
Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror Fantastic Cities American Urban Spaces in Science Fiction Fantasy and Horror, 2022
Capturing the Shark White (Eco-)Masculinity and the Pursuit of Science in the Docuseries Expedition Great White1 Michael Fuchs Aaa Arbeiten Aus Anglistik Und Amerikanistik, 2022 Expedition Great White is a docuseries that follows a crew composed of professional fishermen and scientists who conduct studies about great white sharks. This article explores three interrelated dimensions of the series. First, while the series repeatedly suggests that the actions performed in front of the cameras ultimately aim to study and protect great whites and that for both the fishermen and scientists, the well-being of sharks is of the highest priority, this masculine care is not only subjected to the pursuit of new scientific insights about sharks but also embedded in a discourse of competition. Second, this pursuit of new knowledge is coded in masculine terms, as traditional notions of masculinity (i.e., confronting and catching the dangerous animal as well as making scientific progress) become re-negotiated in view of the animals’ well-being and, ultimately, their protection. Finally, while the first two dimensions bespeak the desire for human control of the natural world, the digital lives of tagged sharks challenge this human control.
PORNOGRAPHY Michael Fuchs Routledge Handbook of Star Trek, 2022
“OUT THERE HUNTING MONSTERS”: Manifest Destiny, the Monstrosity of the American West, and the Gothic Character of American History Drawing the Past Volume 1 Comics and the Historical Imagination in the United States, 2022
When the forest is not quite what it seems to be: The simulacral spaces of "nature" in the cabin in the woods Madness in the Woods Representations of the Ecological Uncanny, 2020
The Black Hole at the Heart of America? Space, Family, and the Black Hallway in House of Leaves Placing America American Culture and Its Spaces, 2014
The great arsenal of democracy: Uncle Sam and American exceptionalism at the end of the American century Aaa Arbeiten Aus Anglistik Und Amerikanistik, 2014
LeBron James and the Web of Discourse: Iconic Sports Figures and Semantic Struggles Configuring America Iconic Figures Visuality and the American Identity, 2013
ConFiguring America: Iconic Figures, Visuality, and the American Identity Configuring America Iconic Figures Visuality and the American Identity, 2013
Lebron James and the web of discourse: Iconic sports figures and semantic struggles Configuring America Iconic Figures Visuality and the American Identity, 2012
Configuring America: Iconic figures, visuality, and the American identity Configuring America Iconic Figures Visuality and the American Identity, 2012
RECENT SCHOLAR PUBLICATIONS
Monstrous Reproduction, Monstrous Evolution, and Extinction Anxiety in Steve Alten's MEG Books M Fuchs, M Phillips Critique: Studies in Contemporary Fiction , 2026 2026
Atlantic Overflows: Bull Sharks, Inland Incursions, and Fictions of Containment M Fuchs Atlantic Studies: Global Currents 23 (2), 147-159 , 2026 2026
Stories of Disaster as Sites of Mitigation: Knowledge Production and Affective Engagement in the Narrativization of Nuclear Incidents in Different Media M Butler, S Farzin, M Fuchs, AK Hornidge, U Schimank Minerva: A Review of Science, Learning and Policy 64 (1), 1-25 , 2026 2026 Citations: 2
Affective Necropolitics, Procedural Necrorhetorics, and the US-Mexico Border in the Call of Duty Series M Fuchs American, British and Canadian Studies 45, 46-71 , 2025 2025
Alpine Winter Tourism, Global Warming, and Viral Outbreaks: Re-Watching Attack of the Lederhosen Zombies during the Covid-19 Pandemic M Fuchs The Post-Zombie: The Current and Future State of the Walking Dead, 36-47 , 2025 2025
Film, Memory, and Intermediality: Exploring the Andes in La cordillera de los sueños (2019) M Fuchs, AM Marini Global Mountain Cinema, 243-260 , 2025 2025
Coming to Terms with a Crisis: Introduction M Butler, S Farzin, M Fuchs, F Hempel Coming to Terms with a Crisis: Cultural Engagements with COVID-19, 9-19 , 2025 2025
Depicting SARS-CoV-2: A Weird Icon of (and for) the Anthropocene M Fuchs, M Butler Coming to Terms with a Crisis: Cultural Engagements with COVID-19, 39-59 , 2025 2025
Coming to Terms with a Crisis: Cultural Engagements with COVID-19 M Butler, S Farzin, M Fuchs, F Hempel 2025
@Night@Home: YouTubifying Late-Night Television during the Early Stages of the Covid-19 Pandemic M Butler, M Fuchs Covid-19 in Film and Television: Watching the Pandemic, 60-74 , 2025 2025
The Vertical Dimension of the American West: Mining and the Media Archaeology of Navajo Land M Fuchs, C Quendler Entanglements, Narratives, and the Environment: Inter-American Perspectives … , 2024 2024
Nuclear Pasts and Environmental Futures: Radioactivity and Gothic Materiality in the Television Series Chernobyl M Butler, M Fuchs The Gothic and Twenty-First-Century American Popular Culture, 156-171 , 2024 2024 Citations: 1
Introduction M Fuchs, AM Marini The Gothic and Twenty-First-Century American Popular Culture, 1-11 , 2024 2024
The Gothic and Twenty-First-Century American Popular Culture AM Marini, M Fuchs Brill , 2024 2024 Citations: 1
Animals in the American Imagination M Fuchs, AM Marini Comparative American Studies: An International Journal 21 (1-2), 1-12 , 2024 2024 Citations: 1
Digital America: Introduction M Fuchs JAAAS: Journal of the Austrian Association for American Studies 4 (2), 215-221 , 2023 2023
Videogames in Horror Movies: Remediation, Metalepsis, Interface Effects, and Fear of the Digital M Fuchs JAAAS: Journal of the Austrian Association for American Studies 4 (2), 243-267 , 2023 2023 Citations: 1
The Slow Apocalypse in The Low, Low Woods M Fuchs, AM Marini English Literature: Theories, Interpretations, Contexts 10, 101-117 , 2023 2023 Citations: 4
Introduction: Human Generations and the Environmental Crisis in Literature, Film, and Other Media M Fuchs, R Maierhofer English Literature: Theories, Interpretations, Contexts 10, 7-18 , 2023 2023 Citations: 2
Necropolitics and Pandemic Premediation in The Fall's Neo-Western State of Exception AM Marini, M Fuchs The Comics Grid: Journal of Comics Scholarship 13 , 2023 2023 Citations: 3
MOST CITED SCHOLAR PUBLICATIONS
Cooking with Hannibal: Food, Liminality and Monstrosity in Hannibal M Fuchs European Journal of American Culture 34 (2), 97-112 , 2015 2015 Citations: 30
Playing Serial Imperialists: The Failed Promises of BioWare's Video Game Adventures M Fuchs, V Erat, S Rabitsch The Journal of Popular Culture 51 (6), 1476-1499 , 2018 2018 Citations: 26
Intermedia Games—Games Inter Media: Video Games and Intermediality M Fuchs, J Thoss 2019 Citations: 19
"It's Only Cannibalism If We're Equals": Carnivorous Consumption and Liminality in Hannibal M Fuchs, M Phillips Quarterly Review of Film and Video 35 (6), 614-629 , 2018 2018 Citations: 15
PandemIcons? The Medical Scientist as Iconic Figure in Times of Crisis M Butler, S Farzin, M Fuchs Configurations 29 (4), 435-451 , 2021 2021 Citations: 13
"What if Nature Were Trying to Get Back at Us?": Animals as Agents of Nature's Revenge in Horror Cinema M Fuchs American Revenge Narratives, 177-206 , 2018 2018 Citations: 11
When Dinosaurs Ruled the Earth? Digital Animals, Simulation, and the Return of 'Real Nature' in the Jurassic Park Movies M Fuchs On_Culture: The Open Journal for the Study of Culture 2 , 2016 2016 Citations: 11
"They are a fact of life out here": The Ecocritical Subtexts of Three Early-Twenty-First-Century Aussie Animal Horror Movies M Fuchs Animal Horror Cinema: Genre, History and Criticism, 37-57 , 2015 2015 Citations: 11
"My name is Alan Wake. I'm a writer.": Crafting Narrative Complexity in the Age of Transmedia Storytelling M Fuchs Game On, Hollywood! Essays on the Intersection of Video Games and Cinema … , 2013 2013 Citations: 11
ConFiguring America: Iconic Figures, Visuality, and the American Identity M Fuchs, M Phillips, K Rieser Intellect Books , 2013 2013 Citations: 11
"A Horror Story That Came True": Metalepsis and the Horrors of Ontological Uncertainty in Alan Wake M Fuchs Monsters & the Monstrous 3 (1), 95-107 , 2013 2013 Citations: 11
A Different Kind of Monster: Uncanny Media and Alan Wake's Textual Monstrosity M Fuchs Contemporary Research on Intertextuality in Video Games, 39-53 , 2016 2016 Citations: 10
A Horrific Welcome to the Desert of the Real: Simulacra, Simulations, and Postmodern Horror M Fuchs Landscapes of Postmodernity: Concepts and Paradigms of Critical Theory, 71-90 , 2010 2010 Citations: 10
"Is this really all they had to worry about?" Past, Present, and Future Hauntings in The Last of Us M Fuchs AAA: Arbeiten aus Anglistik und Amerikanistik 44 (1), 67-82 , 2019 2019 Citations: 9
Of Blitzkriege and Hardcore BDSM: Revisiting Nazi Sexploitation Camps M Fuchs Nazisploitation: The Nazi Image in Low-Brow Film and Culture, 279-294 , 2012 2012 Citations: 9
Placing America: American Culture and its Spaces M Fuchs, MT Holub transcript Verlag , 2013 2013 Citations: 8
Livin' Da Dream? Playing Black, Illusions of Meritocracy, and Narrative Constraints in Sports Video Game Story Modes M Fuchs European Journal of American Studies 16 (3) , 2021 2021 Citations: 6
Playing (with) the Nonhuman: The Animal Avatar in Bear Simulator M Fuchs Outside the Anthropological Machine: Crossing the Human-Animal Divide and … , 2021 2021 Citations: 6
Imagining the Becoming-Unextinct of Megalodon: Spectral Animals, Digital Resurrection, and the Vanishing of the Human M Fuchs Gothic Animals: Uncanny Otherness and the Animal With-Out, 107-123 , 2020 2020 Citations: 6
Part of Our Cultural History: Fan-Creator Relationships, Restoration, and Appropriation M Fuchs, M Phillips A Galaxy Here and Now: Historical and Cultural Readings of Star Wars, 208-237 , 2016 2016 Citations: 6